IB71 (2023) — Movie Review

In Sankalp Reddy's directorial venture, IB71, a war narrative unfolds that opts for the subtlety of espionage over bracing battlefield sequences. Inspired by real-life events from the Bangladesh liberation war in 1971, the movie focuses on an Indian intelligence agent's efforts to counteract a strategic Pakistani operation against India. The film's consistent commitment to its storyline is evident. Although its delivery struggles to hit the mark, leaning heavily on the charisma of Vidyut Jammwal to sustain viewer interest.

Jammwal, who wears the dual hat of lead actor and producer, breathes life into the character of Dev. Dev is a courageous operative from the Intelligence Bureau (IB). The film takes a composed approach. It focuses more on the brave hijack scheme executed by Dev and his team to infiltrate Pakistan, rather than action sequences. Dev's mission aims to create a justification for India to seal its airspace, obstructing the enemy's approach to East Pakistan with Chinese support.

The initial portion of the film feels like an unclear jigsaw puzzle, devoid of precision and conviction. The character of Jammwal infiltrates a Pakistani airfield, gathers vital intelligence, and uncovers a looming threat against India. However, the audience is left unsure about the exact mechanics of the spy operation. Although the mesmerizing visuals of the snow-laden Kashmir Valley keep viewers hooked, the narrative struggles to provide a defined pathway.

It is only during the second half of the movie, as Dev and his team board a flight with young Kashmiri radicals, that IB71 starts to pick up the pace. The narrative finds its rhythm as it zeroes in on the tension within the restricted environments of the plane, cockpit, and hotel compound. The outdoor action sequences are magnified by the landscape's stunning beauty.

Despite certain drawbacks, IB71 holds its ground with a few redeeming elements. The second half of the film narrates an unexpectedly clear and engaging story, providing a well-needed push. Gnana Sekhar V.S.'s cinematography masterfully frames the beautiful Kashmir Valley, offering a captivating contrast to the rather tepid storyline.

The charismatic presence of Jammwal helps to sustain the film during its wavering moments. Jammwal successfully tempers his action-hero tendencies and capitalizes on moments to exhibit his on-screen invulnerability. Even with limited high-octane action, he effectively takes the lead during dangerous situations, managing to escape unharmed.

Anupam Kher puts forth a commendable performance as the Intelligence Bureau chief, despite the underutilization of his character. After a few compelling scenes, Kher's role is unfortunately relegated to pacing in his office, receiving updates on Dev's exploits. Dalip Tahil's subdued depiction of Zulfiqar Ali Bhutto, lacking any significant dialogues for the seasoned actor, unfortunately dilutes potential dramatic tension.

The film paints a balanced portrayal of Pakistani officials, steering clear of excessive jingoism. Actors Hobby Dhaliwal and Ashwath Bhatt elevate their characters despite a limiting screenplay. They help maintain a functional spy thriller narrative, though it seems to lack mass appeal.

IB71 leaves an impression of being a film that could have been more potent with more refined writing. Despite its issues, as a mediocre spy drama, it has its redeeming moments, particularly in the second half. It deserves credit for its adherence to the plot and refraining from unnecessary thrills. However, a lack of clarity in the first half and missed opportunities for character development hinder the film from achieving its true potential.

In summary, while IB71 offers an interesting concept, its struggle to maintain a consistent narrative mars its overall impact. It falls short of being an exceptional film, but amidst its uneven execution, it provides fleeting glimpses of potential.