The Second Act (2024) — Movie Review

Dupieux's latest film, a satirical meta-fiction, questions the nature of art and representation, and kicks off the 2024 Cannes Film Festival.

By Patricia Anderson

Poolman (2024) — Movie Review

Dive into Chris Pine's quirky debut film, "Poolman," a character comedy spoofing 1940s detective movies, littered with vintage influence and an intriguing enigma.

By Felix Hawthorne

Nothing Can’t Be Undone By a Hotpot (2024) — Movie Review

A review and insider peek into the thrilling Chinese mystery, "Nothing Can’t Be Undone By a Hotpot".

By Emma Nguyen

Power (2024) — Movie Review

Through a reflective lens, "Power" unearths the deeply-entrenched issue of police brutality, detailing its origins and societal impacts.

By Hugo Mercer

A Prince (2024) — Movie Review

Explore the verdant landscapes and complex characters of a narrative that shifts between naturalistic scenes and perplexing eroticism.

By Felix Hawthorne

Aisha — Movie Review

In "Aisha", Letitia Wright's moving portrayal of an asylum-seeking Nigerian woman in Ireland illuminates the systemic obstacles faced by immigrants.

By Felix Hawthorne

Gasoline Rainbow (2024) — Movie Review

Dive into an authentic portrayal of Gen-Z youth escapades in Bill and Turner Ross' Gasoline Rainbow, as teenagers embark on an epic road trip to the Pacific Coast.

By Leo Rodriguez

The Last Stop in Yuma County (2024) — Movie Review

Exploring the Tarantino-inspired crime thriller, "The Last Stop in Yuma County," a nostalgia-infused heist fiasco in sunbaked Arizona.

By Elliot Chen

Lazareth (2024) — Movie Review

Exploring the throes of survival in an apocalypse, and the human instinct to protect and endure.

By Leo Rodriguez

Force of Nature: The Dry 2 (2024) — Movie Review

Intriguing thriller muddled in its own complicity, "Force of Nature: The Dry 2" struggles to build on the original's success.

By Olivia Weaving