Zoë Kravitz steps into the directorial role with 'Blink Twice', a compelling but fragmented exploration of the entanglement of privilege and predation. The narrative centers on Slater King (Channing Tatum), a troubled tech tycoon embroiled in a scandal, and Frida (Naomi Ackie), an aspirational nail designer who harbours dreams of meeting Slater.
The narrative presents an eerie mingling of romance and fear as Slater invites Frida and her friend Jess (Alia Shawkat) to his isolated island retreat. However, the idyllic getaway soon morphs into a dawning horror, as the guests embark on a chilling journey of discovery about their billionaire host and his sinister secret.
The film marries social satire, a critique of opulence, and suspense into a challenging dualism of horror and satire. There, under a veneer of blissful isolation, guests begin to experience disturbing occurrences. These curious incidents, coupled with the disappearance of Jess, sends Frida spiralling into a quest for survival against the backdrop of the seemingly paradisal island.
Krativz's debut film explores the horrific scale of sexual violence against women and the corrosive impact of trauma. Integral to its storytelling are strong performances from Tatum, Ackie, and Adria Arjona. Ackie's captivating depiction of a woman grappling with her trauma provides a compelling viewing experience despite the underdeveloped characterisation and fragmented plot.
Additionally, Ackie and Arjona's performances bring to life the textured dynamics between women - from rivalry to empowering alliances. Despite its narrative shortcomings, 'Blink Twice' offers a bold exploration of societal issues through its unsettling lens, made plausible largely due to Ackie and Arjona's engaging performances.
