Unlike traditional horror films that rely heavily on jump scares and tension-filled scenes, Chris Nash's "In a Violent Nature" indirectly explores the mind of a monster, displaying a level of serenity in its horror. The film challenges audiences to see things from the nemesis's viewpoint - he's not just a villain, but a being with a routine much like the rest of us.
The movie, which is shot with an anthropological eye in Ontario, mostly follows 'Johnny,' the horror monster, as he methodically eliminates all those who dare to cross his path. Key initiators of the film are hushed voices discussing what's known as the "White Pines slaughter" and a mysterious locket retrieved from under a fire tower. As the locket is removed, the mud and leaves rumble, signaling the arising of Johnny, who silently lumbers through the forest.
Nash's approach to filmmaking is particularly interesting as he chooses to film much of the movie through Johnny's perspective, tracking his slow and steady advance through the trees as he seeks his next victim step-by-step. The film offers an eerily soothing feel as it unfolds like a third-person video game, providing a uniquely immersive experience riddled with silent, patient intervals that are oddly calming.
The storytelling is layered, with the audience learning about Johnny through the reactions of his victims and the environment. The camera occasionally deviates from Johnny's perspective, providing infrequent glimpses of his grotesque appearance. The silent monster continues his path devoid of speech, his motives, and history revealed through the whispers of the unsuspecting youths and the silent echoes of the woods. The methods of his torturous deeds carry an undercurrent of labor themes, utilizing woodcutting tools for his rampage.
Despite the lack of traditional scares, Nash's film offers a gritty, black humor set in motion by Johnny's relentless killing streak which is carried out with shocking gore.
On the downside, the uniqueness of the premise can feel drawn out over time, diminishing the initial intrigue. While the film infuses a twist towards the end with a plot focusing on the final girl's existential fear, it feels slightly misplaced due to her minimal screen time.
"In a Violent Nature" nevertheless provides an atmospheric spectacle of visceral horror that redefines the genre. Nash's ability to keep the audience engaged despite the unconventional approach signals his promising future as a filmmaker, whether or not Johnny's monstrous rampage continues in future movies.
