In most road movies, viewers have at least one likable character to root for. "The Passenger," directed by Carter Smith, defies this convention, taking its audience on a roller-coaster ride through the unexpected. We meet Randy (played by Johnny Berchtold), a fast food worker with a reputation for being easily dominated. In contrast, there’s Benson (Kyle Gallner). Benson is a reticent colleague who carries out a violent act at the Bayou burger joint, sparing only Randy.
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Instead of a traditional good-versus-evil narrative, "The Passenger" offers an intriguing character study of two men at opposite ends of the emotional spectrum. As part of the Blumhouse’s foray into the streaming realm, this film doesn't adhere strictly to conventions. The core of the movie is their peculiar relationship following a horrifying intro, sans the anticipated suspense of typical thrillers. It’s not a tale of redemption or manhood but of control. Benson’s overpowering dominance is almost willingly accepted by Randy, making it evident that even in precarious situations, Randy will not defy him. He never cries out for aid, a testament to the power Benson wields.
Jack Stanley's script delves into this unusual relationship, gradually finding itself grappling with articulating its originality. However, its unwavering focus remains on the unique character dynamics – dissecting the persona of an extreme pushover. As the plot unfolds, Randy shares the reasons for his profound timidity with Benson. Motivated by Randy’s stories of past grievances, Benson takes it upon himself to help Randy confront those who have wronged him.
The film's brilliance is due to the contrast in performances. Berchtold's portrayal is poignant, echoing the vulnerability of his character, while Gallner's Benson is a whirlwind of emotions – from rage to mystery. Thankfully, the film steers clear of stereotyping Randy into an inexplicable villain.
Despite the lack of a grand overarching plot, "The Passenger" manages to captivate with its meticulous attention to detail. Cinematographer Lyn Moncrief captures spellbinding frames that masterfully play with space and evolving hues. Each frame is meticulously together by Eric Nagy, resonating with the film’s themes of dominance, trauma, and fear. Smith's direction has a consistent unsettling vibe, highlighted by eccentric choices like Benson’s peculiar sweater or the intense neon burst in a key diner sequence.
While "The Passenger" might not conclude with a profound revelation, it does stand as a testament to Gallner's acting prowess. He evokes the magnetism of legends like Jack Nicholson without mimicking them. Gallner's portrayal of Benson, especially when overshadowing Randy in key moments, is chillingly perfect. With this role, he proves his versatility as an actor, hinting at a future filled with daring and riveting performances.
In conclusion, "The Passenger" is more than just a movie; it’s a showcase of unparalleled acting and an unconventional narrative, promising viewers an experience beyond the ordinary.
