David Fincher's "The Killer" immerses audiences in the meticulous world of a seasoned assassin, mirroring the director's own renowned precision in filmmaking. Adapted from Alexis “Matz” Nolent's graphic novel, the film feels like a deeply personal project for Fincher, exploring the psyche of a hitman whose life spirals out of control.
The film stars Michael Fassbender as a nameless, lethal protagonist, reminiscent of his role as David in “Prometheus.” "The Killer" begins with an intense setup: Fassbender's character, a professional hitman, is stationed in Paris, meticulously planning a hit. He inhabits the persona of a German tourist, a strategic choice to remain inconspicuous, and listens to The Smiths-a touch that adds both humor and a unique soundtrack to the film. This opening sequence, narrated by the assassin, is a slow burn, offering a window into his methodical and detached mindset.
Trouble ensues when the hitman botches a job, accidentally harming an innocent bystander instead of his target. Realizing the gravity of his mistake, he returns to the Dominican Republic, only to find danger waiting at his doorstep. Defying his own rules of non-attachment and careful planning, he embarks on a vengeful mission against those who betrayed him. Supporting performances by Arliss Howard, Charles Parnell, and Tilda Swinton enhance the story, but the film is primarily a showcase for Fassbender's intense portrayal of the assassin.
Fincher's passion for the project is evident in every meticulously crafted frame. The film revisits themes central to Fincher's work-obsession, the pursuit of perfection, and the dynamics of power. He collaborates with familiar faces like cinematographer Erik Messerschmidt, editor Kirk Baxter, and composers Trent Reznor & Atticus Ross, ensuring a high level of technical proficiency.
"The Killer" examines the morality of its protagonist, resisting the temptation to humanize or redeem him. Fincher and writer Andrew Kevin Walker maintain the assassin's cold, calculated nature throughout, even in the face of audience expectations for leniency. This unapologetic portrayal might alienate some viewers, but it's crucial to the film's exploration of precision and the consequences of a single error.
Despite its dark themes, "The Killer" is surprisingly humorous. It features ongoing jokes about the assassin's pseudonyms and clever references to contemporary brands, emphasizing the protagonist's ability to blend into a distracted, commodified world. These lighter moments offer a counterbalance to the film's intensity.
"The Killer" is more than just a rehash of Fincher's past successes. It's a fresh take on his familiar themes, asking whether individuals like the protagonist-and by extension, meticulous artists like Fincher-can truly isolate themselves to achieve their goals. The film's brisk final act and concise epilogue may leave some desiring more, but this streamlined conclusion aligns with the protagonist's no-nonsense demeanor.
In summary, "The Killer" stands out as a distinct entry in Fincher's filmography. It skillfully intertwines a gripping narrative with humor, all while examining the complexities of a hitman's existence. Fincher's craftsmanship ensures that the film resonates as both an engaging thriller and a nuanced study of obsession and detachment.
