In his latest film, "The Holdovers," Alexander Payne departs from the perceived condescension towards his characters seen in previous works like "Election" and "Nebraska." This new movie radiates a genuine affection for its characters, palpable in every scene, line, and plot twist. This heartfelt approach provides a refreshing contrast to the prevalent cynicism in today's cinema landscape, inviting viewers to form a deep connection with the characters.
Payne's comeback, following the less successful "Downsizing," is marked by his collaboration with Paul Giamatti, the star of the acclaimed "Sideways." Giamatti shines as Paul Hunham, a harsh professor at Barton Academy in the early 1970s. Hunham is a disapproving figure among students and faculty, though he shares a somewhat warmer relationship with his colleague Lydia (Carrie Preston), who offers him Christmas cookies. His life is characterized by strict discipline and isolation, using his limited authority in a hostile manner, resulting in a solitary existence.
The story unfolds during a holiday break at Barton Academy, where a few students, including the protagonist Angus (Dominic Sessa), must stay on campus. Hunham, tasked with overseeing these students, finds his life intersecting with Angus and Mary (Da’Vine Joy Randolph), the head cook. Each of them is at a pivotal moment in their lives, and their interactions lead to meaningful, life-altering experiences. David Hemingson's script beautifully captures the essence of unexpected life changes and the impact of new acquaintances.
Mary, portrayed by Randolph, is a grieving mother who recently lost her son in the Vietnam War. Her performance poignantly conveys the burden of grief, likening her struggle to move forward to wading through quicksand. Angus, a sharp but troubled 15-year-old, faces his own uncertainties about his future and potential military service. His evolving relationship with Hunham, who begins to reflect on his own life choices through their interactions, forms a central part of the narrative.
"The Holdovers" excels not just in its emotional depth but also in its consistent humor. Payne harnesses Giamatti’s gruff persona for comedic effect, enhancing the impact of his character's transformation. Randolph delivers her lines with a subtle touch, while Sessa’s performance evolves impressively, highlighting his potential as a versatile actor reminiscent of 1970s comedy stars.
The film navigates the familiar terrain of stories about unlikely families and life lessons, yet it feels remarkably authentic and original. This authenticity is rooted in the film's acknowledgment of clichés, while infusing them with timeless truths about human connections and personal growth. "The Holdovers" stands out for its intelligent humor and relatable characters. The film’s real triumph lies in its ability to make viewers see parts of themselves in Paul, Angus, and Mary, reflecting the universal experiences of mentorship, friendship, and self-discovery.
