The latest film pushing the boundaries of the female-centred comedy genre is 'The Fabulous Four'. Despite its occasional missteps, the film delivers on its promise of bittersweet friendship and light-hearted adventure. This narrative is anchored by the dynamic quartet of friends. Starring Susan Sarandon and Bette Midler as more conventional Hollywood icons, complemented by the quip-filled performances of Sheryl Lee Ralph and Megan Mullally, the ensemble undoubtedly shines under the subtle direction of Jocelyn Moorhouse.
The plot unfurls around a rushed wedding weekend hosted by the flamboyantly insecure Marilyn (Bette Midler). The story takes an absurd turn as Kitty (Ralph), a budding entrepreneur and Alice (Mullally), an appreciator of Kitty's edible cannabis, concoct an elaborate plan to ensure heart surgeon Lou (Sarandon) attends the wedding in sunny Florida, despite the two women not having spoken in years due to shared romantic history. The plan involves a false promise of a rare cat won in a raffle and deception that crumbles not long after their arrival.
The core of the story is not mired in love interests but celebrates singlehood. It presents the unapologetic appreciation of one's own company and the exploration of selfhood. A bold statement by Ralph's character punctuates this sentiment – it is delivered with such organic assertiveness that it underlines its significance.
Despite the film's comedic antics, it also manages to deliver more serious messages. For instance, a subplot involves Kitty's traditionalist daughter, eager to send her mother to a retirement home, and the resulting clash highlights prevailing societal notions about ageing.
Overall, The Fabulous Four attempts to transcend the typical formula of such films, and even though it might falter here and there, the film makes its mark. This is largely due to the powerful performances by the leading ladies, and their onscreen chemistry that encapsulates the complexities of ageing, love and friendship in a poignant yet entertaining manner.
