When it comes to substantial sci-fi projects, Apple TV doesn't hold back. Among its prestigious shows, "Silo," an adaptation of Hugh Howey's books by Graham Yost, stands apart. Its intriguing take on philosophical, mysterious themes immediately drew attention in the inaugural season; the spotlight didn't shine on big names like David Oyelowo and Rashida Jones, but rather on Rebecca Ferguson's stunning portrayal of an engineer dealing with massive deceptions. To understand the developments of the second season, you must watch the first. Having been expelled from the Silo by cunning characters Bernard Holland (played by Tim Robbins) and Robert Sims (Common), Juliette Nichols (Ferguson) discovers the dystopian reality of the world outside and another lie about the alleged safety of leaving the Silo. Her discovery prompts an urgent race to save her old home after stumbling upon a separate shelter inhabited by a lone survivor (Steve Zahn). The new season carefully avoids the pitfall of repetition by not pushing Juliette back into a conflict with Bernard and Sims. Instead, it delves into the danger of false hope and survival under extreme conditions. Simultaneously, there is a rumbling rebellion brewing inside the Silo. The focus shifts on Knox (Shane McRae) and Shirley (Remmie Milner), who grow increasingly suspicious about Juliette's unjust exile. They stand against Bernard, resulting in a gripping face-off.
Season two is not just about rebellion or deceptions but the narratives and their controllers. The storyline emphasizes the strength of genuine truth in triggering resistance. The storyline is not about differentiating right from wrong but understanding how these perceptions are manipulated to exercise control and shape societal norms. While the second season lacks a little pacing compared to the first, it compensates with rich character development. Ferguson and Zahn's performances are particularly highlighted, depicting the complex repercussions of isolation and paranoia. "Silo", amidst the array of shows on Apple TV, packs an extraordinary punch. It offers intricate storytelling that respects its audience's intelligence, a characteristic many audiences find lacking in modern "Prestige TV." If the first season was an analogy of our collective yearning to escape the pandemic, the second provokes a thought – "What now?" The new season of "Silo" premieres on November 15th.Trending