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Nobody Wants This (2024) - Series Review

As a conventional rom-com, Netflix's series 'Nobody Wants This,' starring Kristen Bell and Adam Brody is highly enjoyable. The on-screen chemistry of the duo seems to be an extension of their previous works, making it a treat for the viewers. The creator, Erin Foster, has embedded the tale with a special touch that sets it apart from the typically mundane rom-coms about mismatched lovers.

However, the series cannot escape the responsibility that comes with its specificity, particularly its portrayal of Jewish culture. The depiction will likely spark a reaction from Jewish viewers as the series frequently leans towards stereotypes. While it walks a fine line without crossing into overt antisemitism, it often dismisses borderline offensive quirks.

Based on Foster's actual experiences, the series features Joanne (played by Bell), who has an entertainingly disastrous love-life that she talks about with her sister Morgan on their podcast, 'Nobody Wants This.' However, everything changes when she meets Noah (Brody), an endearing rabbi who is distinctively different from anyone Joanne has previously dated.

The series utilizes familiar sitcom clichés and comedic miscommunications throughout the narrative but manages to infuse fresh elements of wit and humor. Despite the mainstream arc of the narrative, it presents the Jewish culture in a distinctive light, interweaving religious rituals and traditions within the rom-com setup.

Nobody Wants This (2024) - Series Review

On the other hand, the series often dips into stereotypical representations, particularly in its depiction of gender and familial roles within the Jewish community. It hints at cultural obstacles that can arise within relationships, which is based on Foster's own experiences. However, the depiction often fails to come across as genuine experiences, making it feel more scripted.

Joanne's seemingly naïve representation of a non-Jewish character lacks depth and often edges towards ignorance, which unintentionally questions her character's appeal. Her sister Morgan's character, despite being humorously appealing, delivers remarks that borderline on antisemitism.

Nonetheless, the series remains a delightful rom-com at heart despite its occasional dispute with cultural representation. It tells the story of two individuals, one who is certain of who they are and another who is exploring this certainty. Its uncomplicated narrative paired with the delightful chemistry of Bell and Brody makes for pleasing viewing over its 10 half-hour episodes.

There's room for growth in the series, and despite some reservations, a second season would be warmly welcomed, proving the title of the show to be a clever misnomer.