In the poignant drama "Our Son," directed by Bill Oliver, the complexities of a modern family are delicately unfolded through the story of Nicky (Luke Evans), a seasoned book publisher, and his struggle with an impending divorce from his husband, Gabriel (Billy Porter). Accompanied by his 8-year-old son Owen (Christopher Woodley), Nicky's visit to his family takes an uncomfortable turn when he reveals his separation from Gabriel, marking a significant moment in their 13-year marriage.
The film delves into the poignant irony pointed out by Nicky's teenage nephew at the dinner table, highlighting the contrast between the hard-fought battle for marriage equality and the all-too-common reality of divorce. This juxtaposition forms the core of "Our Son," as it navigates the emotional landscape of a family grappling with change.
Gabriel, once an aspiring actor, has devoted his life to being a full-time parent, embracing the role with warmth and affection. In contrast, Nicky, while loving, adopts a more stringent approach to parenting, advocating for tough love. Their life in a charming New York brownstone seems idyllic, surrounded by close friends including Nicky’s ex-boyfriend (Andrew Rannells) and a lesbian couple (Liza J. Bennett and Gabby Beans) anticipating the arrival of their first child.
The film gains depth as Nicky struggles with the unraveling of his marriage. He reacts with denial and anger, pushing Gabriel out and embarking on a bitter custody battle. This conflict exposes Nicky’s vulnerability, expertly portrayed by Evans, who skillfully balances a tough exterior with an underlying sense of desperation.
The reasons behind the couple’s split remain somewhat enigmatic. Nicky, still clinging to the relationship, contrasts with Gabriel’s determination to move forward. Gabriel's reasons may appear unclear, yet the film gracefully avoids dramatizing their relationship's demise, posing the question: Isn’t falling out of love a sufficient reason for divorce?
"Our Son" thoughtfully addresses the notion that gay individuals, having once been denied the right to marry, are not indebted to uphold the institution of marriage at the expense of personal happiness. The film subtly underscores this message through Gabriel’s character, who asserts his right to seek happiness beyond the confines of a strained marriage.
"Our Son" is a nuanced exploration of family dynamics, love, and the pursuit of individual fulfillment, set against the backdrop of societal expectations and the evolving landscape of gay rights.
