In 2002, "My Big Fat Greek Wedding" captivated audiences by making an astonishing $360 million globally on a modest $5 million budget. Despite its massive success, the franchise has only seen two sequels. The films, albeit formulaic, offer a comforting appeal, reminiscent of a cherished family dish that warms the heart.
Critics may argue that the original movie felt more like a TV sitcom. However, its cinematic format is a better fit. The ill-fated spin-off TV series, "My Big Fat Greek Life," was short-lived, while "My Big Fat Greek Wedding 2" was another box office success. With Nia Vardalos, the writer and star, at the helm, the franchise's future looks bright.
The challenge for the latest sequel was the passing of Michael Constantine, who played the family's beloved patriarch, Gus. Vardalos skillfully navigated the obstacle by weaving his absence into the story, a tactic often used by savvy franchise directors. The film reveals that Gus had a wish for a family reunion in their ancestral Greek village, a dream that sadly, he didn't live to see realized. The ensuing plot serves as an enticing promo for Greek tourism and an ode to the ideal immigrant family.
The franchise is adept at presenting issues that resolve without significant sacrifice from the characters, making them all inherently good-hearted. For instance, in the second movie, Gus's refusal to remarry Maria (Lainie Kazan) due to a bureaucratic error resolves itself rather effortlessly after a minor crisis.
The third installment introduces similar dilemmas. A problem with the town's springs is magically fixed within minutes. A subplot involving Toula's brother Nick (Louis Mandylor) searching for a special tree resolves itself almost effortlessly. Even conflicts between Greek locals and Syrian laborers, personified through the character Quamar, end predictably-everyone gets along in the end.
The film also sidesteps challenges surrounding real-world issues like xenophobia, as seen in the unproblematic election of a non-binary mayor. In this cinematic universe, a quick joke, luck, and a few drinks are all you need to put things right.
In a twist, the movie adds a subtle layer of depth by introducing concerns about Maria's mental health. However, the film ultimately backs away from confronting this harsh reality. Yet, the stellar performances by the cast, including Kazan, Vardalos, and Mandylor, bring gravity to even such fleeting moments.
Furthermore, John Corbett’s character Ian remains the epitome of the ideal partner-kind, understanding, and ever-supportive. This reflects the general ethos of the film that refrains from engaging with complex issues.
From a technical standpoint, the movie benefits from the work of experienced comedy cinematographer Barry Peterson. His meticulous shots, particularly during nighttime scenes and vivid Greek landscapes, lend an aesthetic quality often missing in the digital age of filmmaking.
Ultimately, "My Big Fat Greek Wedding 3" serves as a splendid form of escapism. It is free from the burdens of dramatic tension or real-world problems. Its idyllic portrayal of life and love is sure to be a hit with audiences.
