The documentary ‘Kim’s Video’ grapples with its own sense of identity in its futile search for distinct profundity which consequently results in an exasperating narrative. Although a significant tale lies buried beneath, the film struggles to depict the culturally rich narrative of Kim’s Video store, a crucial platform for independent cinema from the ‘80s till the ‘00s.
Working in video stores during those years triggered one’s fondness for the medium, a nostalgic experience which is missing for the current generation. Interestingly, many former employees of Kim’s Video, including influential figures like Robert Greene ("Procession"), Sean Price Williams ("The Sweet East"), and Alex Ross Perry ("Listen Up Philip"), contribute significantly to the arts today.
The intriguing account of this intellectual hub should have made an exceedingly captivating subject for ‘Kim’s Video.’ However, co-director David Redmon falters in sculpting the heart of the narrative, inconsistently shifting focus from the store and its founder Yong-man Kim, to his personal journey and insights. Despite its unconventional style, the continual interjection of cinematic clips by Redmon only seems to exaggerate his own experiences.
The documentary begins with a promising encapsulation of an exceptional institution but swiftly loses its charm as it curiously delves into the aftermath of Kim’s Video once they closed their doors in 2008. Following Kim’s decision to sell the collection to the city of Salemi, Sicily, the collection was neither adequately displayed nor appreciated, but instead used as leverage for other artistic endeavours. Redmon portrays his multiple visits to Salemi in a clichéd manner, indulging in broad Italian stereotypes that distract from the core account.
In an attempt to mirror the unique offerings of Kim’s Video, the filmmakers fail by manipulating the narrative in an effort to reiterate their passion for the medium. The documentary’s significant deviation from explaining the essence and worth of the institution, to the often overwhelming personal experiences of Redmon, results in missing the overarching significance of this pivotal landmark. Despite its shortcomings, the film is a reminder of the importance of Kim’s Video in creating a generation of movie aficionados and filmmakers. However, a more resourceful narrative would have presented a more wholesome story that would do justice to the institution’s legacy.
