The much-anticipated comedy, “Going Dutch”, promises a few chuckles but ultimately falls flat in its initial episodes. The show features Denis Leary as Colonel Patrick Quinn, assigned to head the U.S. Army Garrison Stroopsdorf as a result of his insubordination. The Garrison is a peculiar one where laundry and cheese making are part of the soldiers' duties. Colonel's daughter, Captain Maggie Quinn (Taylor Misiak), who used to lead, adds conflicting dynamics.
Misiak and Leary's shared screen-time leaves much to be desired as their chemistry is sorely lacking, feeling more like awkward strangers than a father-daughter duo. Leary, known for playing cantankerous yet engaging characters, seems to lack captivating material and comes off as disinterested in his performance as Colonel Quinn.
Captain Quinn is introduced as an ambitious character, with dreams of the White House, but the underlying motivation is left unexplored. She draws a confusing picture as she strives to prove herself to her father without giving a clear understanding of why.
Despite the lackluster dynamics, there are a few glimmers of potential. Danny Pudi as Colonel’s Executive Officer introduces some depth into the narrative and Hal Cumpston as the nonconformist IT whiz brings a spark of enthusiasm. Laci Mosley as Sergeant Dana Conway, the base’s unofficial problem-solver, adds humor to the storyline.
The fifth episode shows a glimpse of possibility when we see the arrival of Captain's boyfriend, CIA operative Rick, and the show finally unveils some humor. The episode successfully brings out an underlying critique of American imperialism.
"Going Dutch", with its unconventional premise, might get better if given some time. For the show to thrive, the characters need to develop a substantial relationship and conflicts need to be explored in depth. The show's subtle stance on American military might present an opportunity for more humor if it decides to lean into it further. However, without these improvements, "Going Dutch" could end up being an uninspiring and flat comedy in the sitcom landscape.
