Directed by Usman Riaz, "The Glassworker" is more than just a nod to Miyazaki's iconic animation style, it also captures the anti-war sentiment prevalent in much of Miyazaki's work and Studio Ghibli's productions. The movie is set in a beautifully created, early 20th-century town called Waterfront, designed with a fusion of European and Asian elements, including Dutch Renaissance buildings and characters of diverse ethnicities who speak Urdu. Interestingly, this charming town also signifies the dawn of industrial warfare.
Through the shift between past and present, we get to know Vincent Oliver, voiced by Taimoor “Mooroo” Salahuddin, a man caught in his childhood love story and inherited glassblowing business. As the adult Vincent tries to manage his father’s workshop while juggling his emotions for his first love Alliz, voiced by Mariam Riaz Paracha, we get glimpses into his flashbacks, remembering the time when they first met as young children.
Despite the overarching shadows of war, the political specifics of "The Glassworker" are intentionally kept vague. The conflict is seen through the innocent eyes of the children, which makes it thoroughly similar to the narrative simplicity in many Studio Ghibli productions. The story hints at the harsh realities of war yet refrains from delving into geopolitical discussions. It keeps its focus on the effects of war on the human soul and the innocence of childhood romance.
The concept of glass forms a crucial part of the story, representing a central part of the weapon construction in the ongoing conflict. This ties closely to Vincent's world, and ultimately leads to a clash of morals when Col. Amano seeks the non-violent Tomas' help.
Subtly incorporating elements of Islamic lore, the movie hints at the presence of Djinn or supernatural beings. As the story unfolds, we see how the constant presence of war affects Vincent, making him resentful, a change delicately portrayed through meticulous animation details. It brings into focus everything that's lost in warfare – from innocence to potential self-improvement.
Despite being a unique landmark for Pakistani animation, "The Glassworker" never tries to break new ground. Instead, it is a heartfelt tribute to Miyazaki's art, understanding and presenting the essence of his iconic movies in a beautiful and intimate way.
