Ryûsuke Hamaguchi introspectively explores human-nature relations in his new movie, "Evil Does Not Exist." An affluent entrepreneur unknowingly sets the tone in an opening video call discussing the often contradictory desire for perfection. As the film unravels, the belief in perfection is questioned further, especially when considering the untouched wonders of the rural lifestyle showcased.

The narrative unfolds primarily through the lens of Takumi, a hardworking and nature-loving widower balancing rural living with his savvy daughter. His fruitful rural life shifts dramatically when a luxurious camping resort, proposed by the entrepreneur, threatens to disrupt the village's tranquil environment, setting the stage for a compelling ecological parable.

From the beginning, Hamaguchi masterfully coalesces the seemingly typical life of Takumi with unsettling elements. The vibrant natural surroundings that Takumi cherishes come to stark contrast with their potential disruption. The authorities' attempt to sway Takumi towards their 'progressive' ventures backfires, reinforcing his belief in the preservation of their natural habitat.

However, the film does not rest on an ecological parable alone. It takes a complicated turn, flipping the serene rural life into an abstract nightmare, giving the feeling that nature is resisting its disruptors. The unexpected shift leaves audiences with an intriguing ending that forces pondering upon the nature-people interplay.

"Evil Does Not Exist" demonstrates Hamaguchi's storytelling versatility, taking a much different route than previous works like the critically acclaimed "Drive My Car." This film, in line with his previous works, like the emotional rollercoaster "Happy Hour" and the charming "Asako I & II," reassures that Hamaguchi's narratives never fail to keep audiences on their toes.