Austin-based filmmaker Bob Byington presents a distinctive narrative in his newest movie, "Lousy Carter", revolving around a middle-aged literature professor, Lousy Carter (played by David Krumholtz). The character embodies unlikability, consumed by self-absorption and virtually unproductive, despite his inherent intellect. Influenced heavily by his critical mother and his own early acclaim as a prodigy, Carter is a study of wasted potential.
Lousy's life takes a turning point when he is diagnosed with a terminal illness and given a six-month prognosis. Yet, instead of drawing up a bucket list or seeking redemption, he chooses to live his last days just as aimlessly, continuing with his dull existence and petty indulgences.
Featuring a snarky performance from Krumholtz, "Lousy Carter" takes a unique angle on life and mortality, providing an interesting look into the character's life and thought processes. It showcases his unambitious life and his relationships with others, including his affair with a colleague's wife and interactions with his students, which are largely apathetic.
Despite being reasonably challenging to consume during some of its 80-minute duration, the film presents a candid exploration of a bored, disenchanted character which resonates powerfully with the audience. Echoing the vein of Paul Giamatti's “American Splendor,” Krumholtz successfully delves into an intense portrayal of sardonic despair. Notably, Byington cleverly syncs the independent aesthetic of the film with the mundane spirit of its protagonist, reinforcing the narrative.
"Lousy Carter," while dissecting an unlikable character's life, serves as a potent critique of wasted potential and the lack of drive to alter one's destiny, even in the face of death.
