Carlos Marqués-Marcet presents the subject of death with a unique twist in his film, “They Will Be Dust.” The emotionally stirring story revolves around an elderly couple who plan a one-way trip to Switzerland, confronting death in a poignant yet whimsical way - through dance.
This fourth feature by the director, already known for his vivid portrayal of various life stages, takes an unexpected leap by throwing focus on an ending rather than a beginning. Claudia (Ángela Molina), afflicted with a degenerative condition, navigates her intricate relationship with her husband Flavio (Alfredo Castro). Their once-synchronized vibes now seem disparate, portraying the disconnect that often arises with old age.
The captivation of the film can be attributed to Marqués-Marcet's creative storytelling. One of the opening scenes features a seamless shot where Claudia’s manic episode morphs into a dance with the paramedics, leaving spectators spellbound. The inability of Flavio and their daughter Violeta (Monica Amirall) to match this tempo symbolizes their struggle to accept Claudia’s decision to choose a dignified death.
Family dynamics further add layers to the narrative. The news of the elderly couple’s decision to end their lives leaves their children in shock, as they believed a vow renewal was on the cards. The resentment Violeta holds for her siblings Manuel (Alvan Prado) and Lea (Patricia Bargello) for living their own lives while she cared for Claudia, also echoes vividly throughout.
Yet, within these tough confrontations, Marqués-Marcet masterfully infuses music and dance. Composer Maria Arnal marries the downto-earth with the divine, enhancing pivotal scenes with a impressive mix of musical instruments and natural noises. The film's choreography, crafted by Marcos Morau and Le Veonal, adds an outlandish touch, visually representing Claudia's progression towards her impending end.
“They Will Be Dust” breaks conventions by venturing into unexplored realms of emotion, offering a candid and refreshing perspective towards mortality. The film showcases a resolute acceptance of the end without a fear of the unknown beyond, leaving the audience longing for more when “The End” arrives.
