A new role sees Elisabeth Moss outdo herself as a chic MI6 super-sleuth in the latest FX series “The Veil,” initially seeming out of place. Beyond just an unfamiliar British accent, Moss transitioning into an espionage character with a 007 background seems odd. However, by the first episode's conclusion, these doubts disappear entirely, and by mid-season, are absolutely vanished.
Moss, the Emmy award recipient, plays Imogen, a spy who effortlessly blends into any situation. Imogen's adventures start at the end of a deep cover assignment, where she discloses her true identity according to the script, precisely when Interpol agents capture the mark. Her subsequent mission involves a woman identified as a brutal commander of the ISIS terror group located in a refugee camp. Imogen is tasked with distinguishing whether it's a case of mistaken identity or if indeed the woman, Adilah El Idrissi (Yumna Marwan), is among the world's most wanted. Imogen's journey leads her best across the region with Adilah, as global espionage powerhouses endeavor to discern information and their next course of action.
The series, from creator Steven Knight, features an extensive cast representing various nationalities. Key players are from diverse regions and have markedly different objectives. The narrative alternates effectively between advancing the plot and developing character profiles.
Whenever "The Veil" threatens to descend into spy clichés, a selection by Moss, Marwan, Charles, or a different supporting cast member brings it back. Incredible interactions and smart characters make the series appealing. Moss uses the clichés to mask Imogen’s true identity, a crucial aspect of her job.
Moss' performance is exceptional but Marwan may have exceeded it. The Lebanese actress tackles the tough role of the usual antagonist, maintaining her character's ambiguity and complexity. Furthermore, the underrated Charles stands out as Max, creating a delicate balance of humor and charm in the show.
Although reviews were only allowed for two-thirds of the series, it is evident that the show could either become excessively plot-heavy, or the remarkable ensemble could steer this story towards launching future episodes for Imogen's character. The latter seems more likely based on the first four episodes. The series is due to premiere on FX on Hulu on April 30, 2024.