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Eno (2024) — Movie Review

Known as a pioneer of “generative art,” Brian Eno's creative journey began in the music band, Roxy Music. Before experimenting with pioneering sounds on early synthesizers, Eno's main instrument was the reel-to-reel tape recorder. The innovative artist experimented with the inputs and outputs of two side-by-side tape machines, managing to create delayed sounds which became the foundation for his collaborations with guitarist Robert Fripp on the influential 1973 album “No Pussyfooting.” These techniques, referred to as “Frippertronics,” later evolved into digital versions.

Eno, however, utilized these techniques in his solo project, Discreet Music, regarded as a milestone in “Ambient” or “New Age” music. Apart from his musical involvement, Eno expanded his pursuit of generative art into visuals, including software called “77 Million Paintings” that generates a constant stream of unique images over time.

In a documentary directed by Gary Hustwit, Eno's exploration of generative art was used to introduce a twist in the movie's concept; each screening of the film varies slightly due to embedded software that changes the sequence of scenes. The constant reshuffling results in a unique screening each time, featuring around 90 minutes of Eno sharing stories about his life and career.

Eno (2024) — Movie Review

Despite his lasting influence, Eno’s modest demeanor remains. Now, white-bearded and unpretentiously bald, the multi-platinum producer turned serenely genial in interviews, engaging viewers with his humor and openness about his struggles and triumphs.

Though viewers and critics may find the film's concept initially confusing, Eno's intriguing life story and warm personality make the viewing experience worthwhile and charming, maintaining its allure through repeated viewings.