Walter Salles returns with his first feature in Brazil in 16 years- a deeply emotional narrative called "I'm Still Here" (Ainda Estou Aqui). The film sheds light on the silent resistance of a family during the military dictatorship in Brazil, from 1964 through 1985. Fernanda Montenegro, who has previously worked with Salles in Central Station, makes a brief but expressive appearance as the aged version of the protagonist.
The story revolves around the Paiva family, who has to suffer when the family patriarch, a former congressman, is abducted and never seen again. Salles, who personally knows the family, has given an intimate touch to the narrative. The film uses a mix of the Paiva family's warm and lively household dynamic and the harsh reality of military dictatorship to provide a powerful cocktail of happiness and sorrow.
The film moves forward by exploring the hardships faced by the family in the absence of the patriarch. Eunice, played by Fernanda Torres, is seen taking the mantle of strength, concealing her grief and protecting her family. The film seamlessly shifts through time - focusing on the devastation in the past and the revival of the family in the future. It's the heartwarming depiction of a family rebuilding themselves after a struggle that hits home.
Adrian Teijido's cinematography uses 35mm and Super 8mm to evoke the 70s setting, while Warren Ellis' score provides a deeper emotional connection. The narrative doesn't focus on passionate speeches for resistance, rather it emphasizes the power of silent resilience and the act of keeping memories alive.
In conclusion, "I'm Still Here" is more than a powerful portrayal of the past; it's a testament to the power of resilience, the importance of collective memory, and a touching tribute to silent heroes. With its heartfelt narrative and stunning performances, it stands as one of Walter Salles' finest works.
